Moonlight

One assignment on the syllabus for Contemporary Portraiture was taking a portrait depicting gender and sexuality. When I first read this, I did not know what that even meant. What story could I tell and how could I do it? I think deep down I wanted to do a boudoir shot from the beginning, but it took me awhile to finally put that idea on the table.

A boudoir shoot (like my Final) is one of the most intimate types of photography there is. It takes a lot of trust between the photographer and the model, and when your models are your friends, there is an added layer of complexity. The intimacy and vulnerability are much greater, and you may be working in their own bedroom, like we did. That alone is their intimate space I do not step into unless invited. The whole situation really is a gray area, and you have to be careful. Be professional, be clear, and, most importantly, put your model/friend first. Take your time with them and make sure they are OK with whatever you are asking of them, and do your best to read the situation. 

For this assignment, I explored the same space between spirituality and lust that I worked within for my final, although with a different approach. Both girls are beautiful and carry their own unique qualities, and I feel this shoot and my final express these things well. I think I subconsciously tailored their emotion and the overall vibe of each shoot to who they are.

Regarding these photos themselves, my instructor appreciated the dramatic lighting. It reminded her of moonlight. I put more focus on the rose petals and flower, too. Overall, it is more fantastical than my final, which my instructor also said I tend to lean towards. Do you guys notice that?

Again, if you have any questions, I will answer them as best as I can! Enjoy the photos!

Matthew NienhuisComment